Work

selected work of varying shapes and sizes

Orchestral/Large Ensemble
Music for Fiddles and more
Participatory, Open Form
Small Ensemble
Theater/Dance
Improvisatory
Instruments 
Vocal
Solo


Orchestral / Large Ensemble Works

Midden FindHardanger d’Amore and sinfonietta
made with Caoimhín Ó Raghallaigh
Cumha na Cuimhnífor voice and orchestra
with Iarla Ó Lionáird
A Palimpsestfor saxophone and percussion ensemble
Marbles — Ways of the Underworld — Whilst Wakingsinfonietta (11+ players)
Silicon Carbonlaptop ensemble and orchestra
Traps Relaxedstrings, percussion, electronics
Three Piecesfor Hardanger fiddle and orchestra

Music for Fiddles and more

Fifty Fivetunes for Hardanger d’Amore
The Fate of Boneswith Caoimhín Ó Raghallaigh
Laghdúwith Caoimhín Ó Raghallaigh
CrissCrosswith Brittany Haas
QQQwith Monica Mugan, Beth Meyers, and Jason Treuting
Trollstiltwith Monica Mugan

Participatory, Open Form Works

Machines for Listeningfor bitKlavier and active listeners
There Might Be Othersmusic for dance (with Rebecca Lazier)
Waveguide Model Ifor saxophone quartet (with Mark DeChiazza)
Waveguide Model IIfor open instrumentation
Clapping Machine Music Variationsfor 2+ bitKlavier and open instrumentation
eToobsinstallation / instrument

Small Ensemble Works

Trioviolin, cello, bitKlavier
Songs That Are Hard To Singstring quartet and percussion quartet
Waveguide Model Isaxophone quartet (with Mark DeChiazza)
Waveguide Model IIopen instrumentation
neither Anvil nor Pulleypercussion quartet (with So Percussion)
Clapping Machine Music Variationsfor 2+ bitKlavier and open instrumentation
Four Squared for Ligetifor piano, 2 bitKlavier, and open instrumentation
Triptickfor piano trio
Five (and-a-half) Gardensfor fiddle, guitar, percussion quartet, and projections (with Judy Trueman)
Stillviolin, cello, and 6-string electric violin/electronics
A Cappellacello octet
Trapsstring quartet and 6-string electric violin (or viola)/electronics
Counterfeit Curioviolin, cello, flute/picc, clarinet/bass clarinet, piano, percussion, and 6-string electric violin (or viola)/electronics
Machine Languageviolin, cello, percussion, and 6-string electric violin (or viola)
Spring Rhythmstring quartet

Theater, Dance, and Video Works

Olagónan opera, with Iarla Ó Lionáird, Paul Muldoon, Gelsey Bell, and Mark DeChiazza
There Might Be Othersfor dance, with Rebecca Lazier
Waveguide Model Ifor saxophone and interactive video, with Mark DeChiazza
Transposed (Transparent Body Revisited)with Rebecca Lazier
Transparent Bodywith Rebecca Lazier
Five (and-a-half) Gardensfiddle, guitar, percussion quartet, and “animated gardens” projections (by Judy Trueman)

Improvisational Work

Recording Field, Hwith Curtis Bahn, Tomie Hahn, and Pauline Oliveros
./swankwith Curtis Bahn

Instruments / Tools of Various Sorts

bitKlavierthe prepared digital piano
the Hardanger d’Amorea cross between the Hardanger fiddle and the viola d’Amore, but Salve Håkedal
neither Anvil nor Pulleyinstruments for the piece
The Bowed Sensor Speaker Array (BoSSA)the deconstructed violin reconstructed, with Perry Cook
Spherical Speakerswith Perry Cook
eToobsamplified stamping / feedback tubes
ChucKcontributions to the audio programming language, by Ge Wang
PeRColateobjects for Max/MSP, with R. Luke Dubois

Vocal Works

Olagónan opera, with Iarla Ó Lionáird, Paul Muldoon, Gelsey Bell, and Mark DeChiazza
We Live In Each Other’s ShadowsSSAATTBB
Delphica GaedhicaCTTBarB or SSATTB
Motet for Medhbh (from Olagón)CTTBarB or SATBarB
Cumha na Cuimhnífor voice and orchestra
with Iarla Ó Lionáird

Solo Works

12 Preludesfor bitKlavier
Rinkfor steel pans, kick, and hi-hat
Nostalgic Synchronicsix etudes for bitKlavier
In Grain and Shadowfor 6-string electric violin and electronics
Four6-string electric violin