selected work of varying shapes and sizes
Orchestral/Large Ensemble
Music for Fiddles and more
Participatory, Open Form
Small Ensemble
Theater/Dance
Improvisatory
Instruments
Vocal
Solo
Orchestral / Large Ensemble Works
| Midden Find | Hardanger d’Amore and sinfonietta
made with Caoimhín Ó Raghallaigh |
| Cumha na Cuimhní | for voice and orchestra
with Iarla Ó Lionáird |
| A Palimpsest | for saxophone and percussion ensemble |
| Marbles — Ways of the Underworld — Whilst Waking | sinfonietta (11+ players) |
| Silicon Carbon | laptop ensemble and orchestra |
| Traps Relaxed | strings, percussion, electronics |
| Three Pieces | for Hardanger fiddle and orchestra |
Music for Fiddles and more
Participatory, Open Form Works
Small Ensemble Works
| Machines for Listening with Sō | for marimba, vibraphone, drum-kit, and bitKlavier |
Cross Quartet #3:
Rondo // Evidence // Chorale | string quartet (in scordatura) |
Cross Quartet #2:
Memory Field | string quartet (in scordatura) |
Cross Quartet #1:
Under My Feet // Up There | string quartet (in scordatura) |
Cross Quintet #1:
Sill’s Gully // Hymn for the Sound // Black Rock | string quartet (in scordatura) and Hardanger d’Amore |
| String Sextets | Hardanger fiddle, string quartet, double-bass |
| Trio | violin, cello, bitKlavier |
| Songs That Are Hard To Sing | string quartet and percussion quartet |
| Waveguide Model I | saxophone quartet (with Mark DeChiazza) |
| Waveguide Model II | open instrumentation |
| neither Anvil nor Pulley | percussion quartet (with So Percussion) |
| Clapping Machine Music Variations | for 2+ bitKlavier and open instrumentation |
| Four Squared for Ligeti | for piano, 2 bitKlavier, and open instrumentation |
| Triptick | for piano trio |
| Five (and-a-half) Gardens | for fiddle, guitar, percussion quartet, and projections (with Judy Trueman) |
| Still | violin, cello, and 6-string electric violin/electronics |
| A Cappella | cello octet |
| Traps | string quartet and 6-string electric violin (or viola)/electronics |
| Counterfeit Curio | violin, cello, flute/picc, clarinet/bass clarinet, piano, percussion, and 6-string electric violin (or viola)/electronics |
| Machine Language | violin, cello, percussion, and 6-string electric violin (or viola) |
| Spring Rhythm | string quartet |
Theater, Dance, and Video Works
| Rhythm Bots | music/sound for sensitive robotic environment, by Naomi Leonard |
| Two Person Operating System Type 2 | music for performance-installation by Susan Marshall and Martha Friedman |
| Rhythm Bath | performance-installation by Susan Marshall, music co-composed with Jason Treuting |
| Olagón | an opera, with Iarla Ó Lionáird, Paul Muldoon, Gelsey Bell, and Mark DeChiazza |
| There Might Be Others | for dance, with Rebecca Lazier |
| Waveguide Model I | for saxophone and interactive video, with Mark DeChiazza |
| Transposed (Transparent Body Revisited) | with Rebecca Lazier |
| Transparent Body | with Rebecca Lazier |
| Five (and-a-half) Gardens | fiddle, guitar, percussion quartet, and “animated gardens” projections (by Judy Trueman) |
Improvisational Work
Instruments / Tools of Various Sorts
Vocal Works
Solo Works
